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1 pattern
1. nounfollow a pattern — einem regelmäßigen Muster od. Schema folgen
behaviour pattern — Verhaltensmuster, das
pattern of thought — Denkmuster, das; Denkschema, das
3) (model) Vorlage, die; (for sewing) Schnittmuster, das; Schnitt, der; (for knitting) Strickanleitung, die; Strickmuster, das2. transitive verbfollow a pattern — nach einer Vorlage arbeiten; (knitting) nach einem Strickmuster stricken
(model) gestaltenpattern something after/on something — etwas einer Sache (Dat.) nachbilden
* * *['pætən]1) (a model or guide for making something: a dress-pattern.) das Muster2) (a repeated decoration or design on material etc: The dress is nice but I don't like the pattern.) das Muster3) (an example suitable to be copied: the pattern of good behaviour.) das Muster•- academic.ru/89878/patterned">patterned* * *pat·tern[ˈpætən, AM -t̬ɚn]I. nbehaviour[al] [or AM behavior[al]] \pattern Verhaltensmuster ntthe \pattern of family life die Familienstruktur\pattern of trade Handelsstruktur fchevron/floral/pinstripe \pattern Zickzack-/Blumen-/Nadelstreifenmuster ntpaisley \pattern türkisches Musterpolka-dot/striped/tartan \pattern Tupfen-/Streifen-/Schottenmuster ntthe hotel is a \pattern of elegance das Hotel ist von beispielhafter Eleganzto set the \pattern for sb/sth Maßstäbe für jdn/etw setzenII. vt▪ to \pattern oneself on sb jdm nacheifern* * *['ptən]1. n1) Muster nt3) (fig: model) Vorbild ntaccording to a pattern —
on the pattern of Albania, on the Albanian pattern — nach albanischem Vorbild or Muster
there's a distinct pattern/no pattern to these crimes — in diesen Verbrechen steckt ein bestimmtes Schema/kein Schema
what pattern can we find in these events? — was verbindet diese Ereignisse?
the pattern of events leading up to the war —
a certain pattern emerged — es ließ sich ein gewisses Schema or Muster erkennen
eating/sleeping patterns — Ess-/Schlafverhalten nt
to follow the usual/same pattern —
the town's new buildings follow the usual pattern of concrete and glass — die Neubauten der Stadt entsprechen dem üblichen Baustil aus Beton und Glas
it's the usual pattern, the rich get richer and the poor get poorer — es läuft immer nach demselben Muster ab - die Reichen werden reicher und die Armen ärmer
5) (= verb pattern, sentence pattern etc) Struktur f2. vt1) (esp US: model) machen (on nach)this design is patterned on one I saw in a magazine — die Idee für dieses Muster habe ich aus einer Illustrierten
many countries pattern their laws on the Roman system — viele Länder orientieren sich bei ihrer Gesetzgebung an dem römischen Vorbild
to be patterned on sth — einer Sache (dat) nachgebildet sein; (music, poem, style etc) einer Sache (dat) nachempfunden sein
to pattern oneself on sb — sich (dat)
he patterned his lifestyle on that of a country squire — er ahmte den Lebensstil eines Landadligen nach
See:→ also patterned* * *pattern [ˈpætə(r)n]A s1. (auch Schnitt-, Strick) Muster n, Vorlage f, Modell n2. WIRTSCH Muster n:a) (Waren)Probe f, Musterstück nb) Dessin n, Motiv n (von Stoffen):3. fig Muster n, Vorbild n, Beispiel n:on the pattern of nach dem Muster von (od gen)4. US Stoff m zu einem Kleid etc5. Probemodell n (einer Münze)6. TECHa) Schablone fb) Gussmodell nc) Lehre f8. (Schuss-, Treffer)Bild n (einer Waffe)10. (auch künstlerische) Gestaltung, Anlage f, Struktur f, Komposition f, Schema n, Gesamtbild n, Muster n, (gefügte) Form:the pattern of a novel die Anlage oder der Aufbau eines Romans11. Verhaltensweise f, (Denk- etc) Gewohnheiten pl:behavio(u)r pattern Verhaltensmuster nB v/t1. (nach)bilden, gestalten, formen ( alle:after nach):2. mit Muster(n) verzieren, mustern3. nachahmenC v/i ein Muster bildenD adj1. Muster…, vorbildlich2. typischpat. abk1. patent2. patented* * *1. noun2) (form, order) Muster, das; Schema, dasfollow a pattern — einem regelmäßigen Muster od. Schema folgen
behaviour pattern — Verhaltensmuster, das
pattern of thought — Denkmuster, das; Denkschema, das
3) (model) Vorlage, die; (for sewing) Schnittmuster, das; Schnitt, der; (for knitting) Strickanleitung, die; Strickmuster, das2. transitive verbfollow a pattern — nach einer Vorlage arbeiten; (knitting) nach einem Strickmuster stricken
(model) gestaltenpattern something after/on something — etwas einer Sache (Dat.) nachbilden
* * *n.Muster - n.Schablone f.Schnittmuster n.Struktur -en f.Vorbild -er n.Vorlage -n f. v.mustern v. -
2 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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3 jour
jour [ʒuʀ]━━━━━━━━━3. compounds━━━━━━━━━1. <a. day• quel jour sommes-nous ? what day is it today?• un jour viendra où... the day will come when...• décidément ce n'est pas mon jour ! it's just not my day today!• du jour où sa femme l'a quitté, il s'est mis à boire he started drinking the day his wife left him• tes deux enfants, c'est le jour et la nuit your two children are chalk and cheese• c'est le jour et la nuit ! there's no comparison!► à jour• hôpital de jour (pour traitement) outpatient clinic ; (psychiatrique) day hospital ; (pour activités) daycare centre• mon manteau de tous les jours my everyday coat► un beau jour (passé) one fine day ; (futur) one of these days• il n'existe à ce jour aucun traitement efficace no effective treatment has been found to date► au jour le jour [existence, gestion] day-to-day• vivre au jour le jour ( = sans souci) to live from day to day ; ( = pauvrement) to live from hand to mouth► jour après jour day after day• on l'attend d'un jour à l'autre ( = incessamment) he's expected any day now• il change d'avis d'un jour à l'autre ( = très rapidement) he changes his mind from one day to the next► du jour au lendemain overnightb. ( = lumière, éclairage) light• demain, il fera jour à 7 heures tomorrow it'll be light at 7c. ( = naissance) donner le jour à to give birth tod. ( = ouverture) gap2. <a. ( = période) days• ces vedettes ont fait les beaux jours de Broadway these were the stars of the golden age of Broadwayb. ( = vie) jusqu'à la fin de mes jours until I die3. <► jour de repos [de salarié] day off• après deux jours de repos, il est reparti after a two-day break, he set off again ► le jour des Rois Twelfth Night* * *ʒuʀnom masculin1) ( période de vingt-quatre heures) dayd'un jour — [bonheur, espoir] fleeting; [mode] passing; [reine] for a day
jour après jour — ( quotidiennement) day after day; ( progressivement) little by little
vivre au jour le jour — to live one day at a time; ressembler, Rome
2) ( date) daymettre à jour — ( actualiser) to bring up to date [courrier, travail]; to revise [édition]; ( révéler) to expose, to reveal [mystère, secret, trafic, problème]
mise à jour — ( actualisation) (d'édition, de données, statistiques) updating (de of); ( découverte) (de secret, trafic) revelation (de of)
jusqu'à ce jour — ( maintenant) until now; ( alors) until then
d'un jour à l'autre — [être attendu] any day now; [changer] from one day to the next
nouvelle/mode du jour — latest news/fashion
3) ( du lever au coucher du soleil) dayau lever or point du jour — at daybreak
4) ( clarté) daylightse faire jour — [vérité] to come to light
mettre au jour — to unearth [vestige]; to bring [something] to light [vérité]
jeter un jour nouveau sur quelque chose, éclairer quelque chose d'un jour nouveau — to shed new light on something; faux I
5) ( aspect)sous ton meilleur/pire jour — at your best/worst
je t'ai vu sous ton vrai jour — I saw you in your true colours [BrE]
sous un jour avantageux — in a favourable [BrE] light
6) figvoir le jour — [personne] to come into the world; [œuvre, projet] to see the light of day; [organisme] to come into being
7) Construction, Bâtiment ( ouverture) gap8) ( de broderie)jours — openwork (embroidery) [U]
•Phrasal Verbs:••il y a des jours avec et des jours sans — (colloq) there are good days and bad days
* * *ʒuʀ nm1) (durée, fraction de la semaine) dayJ'ai passé trois jours chez mes cousins. — I spent three days staying at my cousins'.
2) (opposé à la nuit) day, daytimependant le jour — during the day, in the daytime
à la lumière du jour — by the light of day, in daylight
3) (= clarté) daylightau grand jour — in broad daylight, figin the open
4) (= aspect)5) (= ouverture) opening6) COUTURE openwork no plmettre à jour — to bring up to date, to update
mettre au jour — to uncover, to disclose
se faire jour fig — to become clear
de nos jours — these days, nowadays
* * *A nm1 ( période de vingt-quatre heures) day; en un jour in one day; dans les trois jours within three days; mois de trente jours thirty-day month; barbe de trois jours three days' growth of beard; trois fois par jour three times a day; c'est à trois jours de train it's three days away by train; ces derniers jours these last few days; un jour de plus ou de moins ne changera rien one day here or there won't make any difference; les jours se suivent et ne se ressemblent pas every day is different; dans huit jours in a week's time, in a week; quinze jours a fortnight GB; tous les quinze jours every fortnight GB ou two weeks US; d'un jour [bonheur, espoir] fleeting; [mode] passing; [reine] for a day; deux poussins d'un jour two one-day old chicks; être la vedette d'un jour to be here today and gone tomorrow; des jours et des jours for ever and ever; dès le premier jour right from the start; jour après jour ( quotidiennement) day after day; ( progressivement) little by little; vivre au jour le jour to live one day at a time; gagner sa vie au jour le jour to scratch a living; voir les choses au jour le jour to take each day as it comes; noter ses pensées au jour le jour to note down one's thoughts every day; ⇒ barbe C 1;2 ( date) day; ce jour-là that day; quel jour sommes-nous? what day is it today?; elle viendra un jour she'll come one day; c'est mon jour de courses it's my shopping day; viens un jour où il n'y sera pas come on a day he's out, come one day when he's out; le jour où je mourrai the day I die; un jour ou l'autre some day; l'autre jour the other day; un de ces jours one of these days; un beau jour one fine day; tous les jours every day; de tous les jours everyday; jour pour jour to the day; de jour en jour from day to day; à ce jour to date; à jour up to date; mettre à jour ( actualiser) to bring up to date [courrier, travail]; to revise [édition]; to update [données, application]; ( révéler) to expose, to reveal [mystère, secret, trafic, problème]; mise à jour ( actualisation) ( d'édition) revision; (de données, d'application) updating (de of); ( découverte) (de secret, trafic) revelation (de of); édition mise à jour revised edition; tenir à jour to keep up to date; jusqu'à ce jour ( maintenant) until now; ( alors) until then; de nos jours nowadays; d'un jour à l'autre [être attendu] any day now; [changer] from one day to the next; du jour au lendemain overnight; nouvelle/mode du jour latest news/fashion; au jour d'aujourd'hui○ today;3 ( du lever au coucher du soleil) day; les jours raccourcissent the days are getting shorter; pendant le jour during the day; nuit et jour night and day; tout le jour all day; le jour se lève it's getting light; lumière du jour daylight; au lever or point du jour at daybreak; le petit jour the early morning; se lever avec le jour to get up at the crack of dawn; travailler de jour to work days; travail de jour day work;4 ( clarté) daylight; il fait jour it's daylight; laisser entrer le jour to let in the daylight; en plein jour in broad daylight; faire qch au grand jour to do sth for all to see; se faire jour [vérité] to come to light; mettre au jour to unearth [vestige]; to bring [sth] to light [vérité]; jeter un jour nouveau sur qch, éclairer qch d'un jour nouveau to shed new light on sth; ⇒ faux;5 ( aspect) sous ton meilleur/pire jour at your best/worst; je ne te connaissais pas sous ce jour I knew nothing of that side of you; je t'ai vu sous ton vrai jour I saw you in your true colours; sous un jour avantageux in a favourableGB light;6 fig donner le jour à qn to bring sb into the world; donner jour à qch to give rise to sth; voir le jour [personne] to come into the world; [œuvre, projet] to see the light of day; [organisme] to come into being; mes jours sont comptés my days are numbered; finir ses jours à la campagne to end one's days in the country; des jours difficiles hard times; attenter à ses jours to make a suicide attempt; avoir encore de beaux jours devant soi to still have a future; les beaux jours reviennent spring will soon be here;8 Cout jours openwork (embroidery) ¢; faire des jours to do openwork; une bordure avec des jours an openwork border; jours à fils tirés drawn thread work; motif à jours ( en tricot) lacy pattern.jour de l'An New Year's Day; jour d'arrivée day of arrival; jour astronomique astronomical day; jour calendaire calendar day; jour de chance lucky day; jour de colère day of wrath; jour de départ day of departure; jour de deuil day of mourning; jour de deuil national national day of mourning; jour férié bank holiday GB, legal holiday US; jour de fermeture closing day; jour de fête ( férié) holiday; aujourd'hui c'est jour de fête fig it's a great day today; jour franc clear day; jour du Grand Pardon Relig Day of Atonement; jour J D day; jour du Jugement Relig Judgment Day; jour maigre Relig day of abstinence (without meat); jour des morts Relig All Souls' Day; jour ouvrable working day; jour de paie payday; jour de planche Naut lay day; jour de relâche Théât closing day; jour du Seigneur Relig Sabbath; jour sidéral sidereal day; jour solaire solar day; jour de souffrance Constr opening looking on to a neighbourGB; jour de travail working day; jour utile lawful day.Rome ne s'est pas faite en un jour Rome wasn't built in a day; beau comme le jour very good-looking; ce n'est pas mon jour! this isn't my day!; être dans un bon jour to be in a good mood; être dans un mauvais jour to be having an off day; il y a des jours avec et des jours sans there are good days and bad days.[ʒur] nom masculinA.[DIVISION TEMPORELLE]1. [division du calendrier] dayil me reste des jours à prendre avant la fin de l'année I still have some (days) to take before the end of the yeardans deux/quelques jours in two/a few days' timea. [sans s'occuper du lendemain] from day to dayb. [précairement] from hand to moutha. [grandir] daily, day by dayb. [varier] from day to day, from one day to the nexta. [incessamment] any day (now)b. [de façon imprévisible] from one day to the nexta. [constamment] day after dayb. [graduellement] day by day2. [exprime la durée]nous avons eu trois jours de pluie we had rain for three days ou three days of rainça va prendre un jour de lessivage et trois jours de peinture it'll take one day to wash down and three days to paint3. [date précise] dayle jour où the day ou time thatle vendredi, c'est le jour de Nora/du poisson Friday is Nora's day/is the day we have fishle jour du Jugement dernier doomsday, Judgment Dayle jour du Seigneur the Lord's Day, the Sabbathle grand jour pour elle/lui her/his big dayson manteau/son discours des grands jours the coat she wears/the speech she makes on important occasionsmes chaussures de tous les jours my everyday ou ordinary shoes, the shoes I wear everydayun de ces jours, un jourou l'autre one of these daysà ce jour to this day, to dateB.[CLARTÉ]1. [lumière] daylightavant le jour before dawn ou daybreakau petit jour at dawn ou daybreakjour et nuit, nuit et jour day and night, night and dayje dors le jour I sleep during the day ou in the daytimeexamine-le au ou en plein jour look at it in the daylight2. [aspect]enfin, il s'est montré sous son vrai jour! he's shown his true colours at last!voir quelque chose sous son vrai ou véritable jour to see something in its true light3. (locution)a. [enfant] to give birth to, to bring into the worldb. [projet] to give birth toc. [mode, tendance] to startjeter un jour nouveau sur to throw ou to cast new light ona. [bébé] to be bornb. [journal] to come outc. [théorie, invention] to appeard. [projet] to see the light of dayC.[OUVERTURE]4. (locution)se faire jour to emerge, to become clear————————jours nom masculin pluriel2. [époque]a. [les moments difficiles] unhappy days, hard timesb. [les jours où rien ne va] bad daysa. [printemps] springtimeb. [été] summertimeah, c'étaient les beaux jours! [jeunesse] ah, those were the days!————————à jour locution adjectivale[cahier, travail] kept up to date————————à jour locution adverbialetenir/mettre quelque chose à jour to keep/to bring something up to date————————au grand jour locution adverbiale————————de jour locution adjectivale[hôpital, unité] day, daytime (modificateur)————————de jour locution adverbiale[travailler] during the dayêtre de jour to be on day duty ou on days————————du jour locution adjectivale[homme] of the momentun œuf du jour a new-laid ou newly-laid ou freshly-laid eggdu jour au lendemain locution adverbiale————————d'un jour locution adjectivale————————par jour locution adverbiale
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